Cost of Freedom
  • Announcement
  • Preface: the Voices of Free culture
  • Introduction
  • Collective Memory
    • The Uncommon Creativity of Bassel Khartabil
    • Bassel, and My Freedom
    • About Bassel
    • #NEWPALMYRA and the Free Bassel Campaign
    • Palmyra 3D, Premonition Vision Of Bassel
    • Rebuild Asad Al-Lat
    • Supporting Bassel
    • What Does Freedom Mean to You, Mr. Government?
    • Bassel K
    • My Friend is Not Free
    • Liberté
    • Free Bassel
  • Opening:Freedom
    • Keeping Promises
    • The Shit of Freedom
    • “Freedom To” vs. ”Freedom From”
    • Free Culture in an Expensive World
    • What is Open?
    • The Open World
    • Costs of Openness
    • My Brain on Freedom
    • Too Poor Not to Care
    • Inside or Outside the Movement
    • Freedom as a Commodity
    • Free as in Commons
  • Architectonics Of Power
    • Hacking the Contradictions
    • Time to Wake Up
    • The Cost of Internet Freedom
    • Why I Choose Privacy
    • Why I Choose Copyright
    • Why I Refused My Proprietary Self
    • Image, Identity, Attribution, Authorship
    • The Burden of Journalism
    • Architecture = Power
    • From Outer Space
    • Free Software Economics
    • Beyond Capitalism
  • Affordances
    • Queering
    • Nomadic Family
    • Self-Sufficiency
    • Collective Validation
    • Transdisciplinarity
    • Resilient Networks
    • Reconciliation
  • Epilogue
    • Internal Freedom
    • Love Letter To Computers
    • Towards a possible manifesto; proposing Arabfuturism(s)
    • The Cost of Future Tense
    • Andromeda Report – Gliese 832 C Expedition
  • Appendix
    • Call for Participation
    • Attributions
    • Online Resources
    • License
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  1. Collective Memory

Palmyra 3D, Premonition Vision Of Bassel

Previous#NEWPALMYRA and the Free Bassel CampaignNextRebuild Asad Al-Lat

Last updated 5 years ago

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Born from a Palestinian father, writer, and Syrian mother, Professor of Piano, Bassel lived in an environment open to the world and remote from any conservatism. From his early childhood, reading was a refuge for the only child of the family. While children of his age were playing with toy cars, Bassel had already gone beyond the comic and was devouring books about the ancient history of the Middle East and Greek mythology.

Living in France, while Bassel grew up, one day he surprised me by speaking to me in English with a very rich vocabulary. He was only 10 years old. I asked him if he had learned English at his school in the Palestinian camp in Damascus. He smiled slyly and replied that it was through his father’s computer, using a CD that he had learned English.

At 11, he had his own computer, donated by his mother for his birthday. I was expecting that he would play computer games, but I was wrong. Bassel showed me his computer programs in C language and translations into English and Arabic of some historical books. Thus, he helped his father in his research and writing his books on history.

I was surprised to see him acquire advanced technical skills for a 12 or 13-year-old boy, but Bassel told me that his uncle Osama, a computer expert at the time, helped him to develop his natural gifts. Two years later, Osama assured me that now it was he who asked advice from Bassel. As a teenager, Bassel appeared to me very passionate when he resolved computer programming, sometimes very complex projects. It seemed that Bassel was traveling through the computer world and the history of his country in a very special and multidimensional way.

It is from this double passion for history and computer programming that Bassel began working on technical projects like the creation of a web site on the discovery of the archaeological treasures of Syria. He was barely twenty years when he begun the Palmyra project in 3D, in close collaboration with Khaled al-Assa'ad, the great expert of Palmyra history, who was beheaded by Daech in 2015.

Bassel has a great intuition as if prescient, that may explain why he initiated this beautiful and ambitious project to safeguard the memory of this outstanding universal site. Bassel wishes that everyone could reinforce and contribute to embellish this multidimensional work in these troubled days until his release from jail...

Faraj Rifait